Ceri Williams, the girl with the face, had an idea for a shoot that we'd put off for a really long time because we didn't have the necessary equipment or location.
Eventually, we decided we were going to give it a shot anyway and use what we had.
The original idea came from a character that Ceri played a long time ago in a popular roleplaying game called "Vampire: The Masquerade".
I asked Ceri to sum up what was the concept for this image and here's what she said...
"Summer was originally a character from a Vampire: The Masquerade game. In life she was introverted, socially detatched, curious in a child-like way, until she was kidnapped and killed by a Malkavian vampire. The vampire made a practice of scarring his clan name into the skin of his creations, but unlike most 'sires' he then abandoned Summer. She was later found and taken in by another group of vampires, and one among their number was able to remove the scars from her arm. But later she became terrified that her unknown sire would discover this betrayal, and she took a knife and inscribed the letters back into her arm."
So here we are.
Now then, Summer actually initially was a blonde, child-like, tie-dye wearing, tom-boyish type but for the sake of turning this into a more generic vampire image that people could better relate to, we decided to make her a bit more girly and a bit more obviously vampiric. To get this look, we roped the wonderful and very talented Hannah Lonergan on board for the make-up.
Now Hannah has already done some amazing work, including turning herself into the Corpse Bride and Edward Scissorhands flawlessly and so we also knew that, above and beyond her normal beauty make-up, she would be able to create the scars and handle the bloody task at hand.
We headed to Raven's Nightclub (the same location as the 'Destruction' shoot) and Hannah started working her magics on Ceridwen.
Ceri was getting all made up here and I was fretting about lighting in there...
The problem we were having was that we wanted to shoot indoors here but we had no lighting. Slow shutter wasn't much of an option for it and we were concerned about how the images would come out.
Now, at the time, I didn't have a flash gun, something which has since been remedied but at the time, I had to try with the built-in flash without getting a 'snapshot' style shot. I took a few pictures and played around with the settings a little before going back to find out how the girls were getting on.
Hannah had found a dandy place to hang her bag:
...and Ceri was looking much paler and in need of blood. Which was good. :)
Now it was time for some bad-ass scarring...
Look at those welts! I was very chuffed at these. I think Hannah did a bloody brilliant job of it...
... Now then. Following the make-up job, we got Ceri into position and effectively covered her in fake blood from the forearm down.
As this was being done, we all had this Malkavian vampire in mind and were running with it. We wanted a modern gothic looking vampire scene but actually, we almost didn't post this at all.
Here is the best image from the shoot:
After seeing the images in post-production, I already knew that we'd come far from the original concept and I wasn't sure actually whether Ceri was going to consider it a successful shoot or not. It occurred to both of us that actually, the image was a lot darker than we had initially anticipated and without the concept, it did just look like a very young girl self-harming and I know, certainly Ceri, was actually quite saddened by that. Especially as the character that this was based on was in fact pretty happy-go-lucky for the most part.
I actually asked her whilst writing this blog to describe how she felt seeing the final image for the first time for you and here's what she said...:
"Chloe sent me the final image before posting it anywhere to ask what I thought. That alone should have been a warning, because Chloe typically likes to keep things as surprises. I opened the picture on my phone and genuinely stared at it for a good few minutes. Normally I do this anyway in a "How amazing does Chloe make me look" sort of way. This time it was more, "...oh. Wow. That's frightening." I really wasn't sure if I wanted it to go online. Without context (and of course I knew the context better than anyone) it seemed very stark and real. In a strange way, it made me see the character very differently. She was fun to play, cute and funny and a bit sad. But seeing it, even in my own face, was something else."
We did decide to share this all the same as we do still like the image but we have decided to give this another go when we have some time but this time, sticking to the original character concept.
We'd be interested to know your thoughts all the same...
Showing posts with label Effects. Show all posts
Showing posts with label Effects. Show all posts
Monday, 2 July 2012
Tuesday, 20 March 2012
Stephanie Lindley: Train Station Girl
The long-awaited post.
I am fairly sure most of you will already know the story of how I came to meet Stephanie, or Steph as she is more commonly addressed...
I was on platform 4 of Basingstoke train station last October, trying to get to work in Brookwood. Previously, on the 2-3 occasions that I had travelled into work, I had left on the train at 8:25am and got there fine, however, this time, I was going in a bit later. I waited on platform 4 only to find that the train I needed left from platform 1 after 9am. So in short, I missed it. Damn. Not to worry though, I checked with an attendant and made my way to platform 1 to wait there for another 20 mins for the next train to Brookwood.
In the additional 20 minutes, Steph arrived on the platform with a short purple pixie-cut and long legs. I cursed myself immediately for not having a card on me. I thought it was a shame I was going to miss this one.
As I sat there, feeling very annoyed at myself, another train came for Southampton (?) I think. Steph started gathering her stuff and stood up waiting for the train to pull up and come to a halt.
I scrawled my email address and name on a post-it and went over to her to deliver, what was possibly, the most awkward sentence ever. I think it started something like: "This may sound weird, but hear me out..." and didn't get much better.
Well she took it and was very polite (though did check that it wasn't nude photography so I must give off a fairly substantial air of WEIRDO ALERT, as I suspected) but I was pretty sure as she got on the train that I was not going to hear from her again as I was aware that I potentially came across as a very keen lesbian.
I checked my emails fairly constantly that day. Nothing. Great, I thought, I blew it then.
I cracked on and put it to the back of my mind thinking perhaps she just hasn't got 'round to looking me up or isn't interested or something.
Then - I got an email (I think the next morning):
"In reply to your suggestions of modelling when we spoke at the train station yesterday, I am fairly new to this but would be happy if you could send me an email back of details and your expectations.
Stephanie Lindley"
Wicked. It was on!
We met up in Wetherspoons in Basingstoke to discuss ideas.
2nd time's a charm, eh Steph...?)
... And then 5 months later and here we are. I'd borrowed some Steampunk accessories from various folk. A beautiful All Saints dress from one, Lucile Kavanagh, an epic mono-goggle from Gavin Smith, a handgun made by Aldershot's Games Shop owner Rhys Knight, and half of LARP friend, Kate Evans' wardrobe. This was one of the looks we were going to try to create today.
But first, we got some beauty shots in the studio. Rachel using her brand new shiny RVB make-up kit. (Which looked amazing, by the way.)
If you are a budding make-up artist (or existing) you can enquire about getting your own RVB cosmetics into your kit by calling them on 01767 682288.
Or you can win some free stuff on their Facebook page here to get you started! You just need to 'like' and 'share' their page to enter the competition for your free kit.
Rach started out with some pinks and purples and gave Steph a really beautiful, and I think ethereal look.
The colour choice really made Steph's eyes stand out as they're a lovely sort-of amber colour. I already loved this make-up range.
And then Rachel added a bit more contrast and some eyelashes for a bit of fashion...
I then added about half a truckload of mousse in Steph's hair only to find myself happy with it as it was when we started. *sigh*
I love all of these, by the way. I'm going to just throw that out there.
OK, we were ready for Steampunk now.
We got Steph into Lucy's awesome dress and puffed it out with an underskirt, courtesy of Kate's wardrobe. We attached my old telescope and some assorted pouches and we headed out in the car. We pulled up at a lovely little area in Basingstoke that looked quite like countryside and had a suitable dirt road. Steph donned her mono-goggle and Rachel and I set up the 'set'.
Turned out, it was a wee bit COLD!
Steph's eyes were streaming, and I mean streaming with tears and so Rachel was very soon dabbing her tear ducts in between shots:
We got a few shots (about 25-30) and then we had to leave because, despite our efforts, Steph was turning into a human popsicle.
Not to mention, her make-up was running a treat.
We did get the following shot though before leaving..
So we aborted the location plans and had a quick go of this outfit back in the studio, and I have to admit, even though I had to scratch location off the plans to do it, I'm really pleased with the studio shots:
So that was my shoot with Steph.
I feel it was a huge success and personally can not WAIT to work with her again on another project. I definately enjoyed the shoot and am enjoying the results still.
... Now I just have to remember who's stuff is who's and return it all to it's rightful owners...
I am fairly sure most of you will already know the story of how I came to meet Stephanie, or Steph as she is more commonly addressed...
I was on platform 4 of Basingstoke train station last October, trying to get to work in Brookwood. Previously, on the 2-3 occasions that I had travelled into work, I had left on the train at 8:25am and got there fine, however, this time, I was going in a bit later. I waited on platform 4 only to find that the train I needed left from platform 1 after 9am. So in short, I missed it. Damn. Not to worry though, I checked with an attendant and made my way to platform 1 to wait there for another 20 mins for the next train to Brookwood.
In the additional 20 minutes, Steph arrived on the platform with a short purple pixie-cut and long legs. I cursed myself immediately for not having a card on me. I thought it was a shame I was going to miss this one.
As I sat there, feeling very annoyed at myself, another train came for Southampton (?) I think. Steph started gathering her stuff and stood up waiting for the train to pull up and come to a halt.
I scrawled my email address and name on a post-it and went over to her to deliver, what was possibly, the most awkward sentence ever. I think it started something like: "This may sound weird, but hear me out..." and didn't get much better.
Well she took it and was very polite (though did check that it wasn't nude photography so I must give off a fairly substantial air of WEIRDO ALERT, as I suspected) but I was pretty sure as she got on the train that I was not going to hear from her again as I was aware that I potentially came across as a very keen lesbian.
I checked my emails fairly constantly that day. Nothing. Great, I thought, I blew it then.
I cracked on and put it to the back of my mind thinking perhaps she just hasn't got 'round to looking me up or isn't interested or something.
Then - I got an email (I think the next morning):
"In reply to your suggestions of modelling when we spoke at the train station yesterday, I am fairly new to this but would be happy if you could send me an email back of details and your expectations.
Stephanie Lindley"
Wicked. It was on!
We met up in Wetherspoons in Basingstoke to discuss ideas.
2nd time's a charm, eh Steph...?)
... And then 5 months later and here we are. I'd borrowed some Steampunk accessories from various folk. A beautiful All Saints dress from one, Lucile Kavanagh, an epic mono-goggle from Gavin Smith, a handgun made by Aldershot's Games Shop owner Rhys Knight, and half of LARP friend, Kate Evans' wardrobe. This was one of the looks we were going to try to create today.
But first, we got some beauty shots in the studio. Rachel using her brand new shiny RVB make-up kit. (Which looked amazing, by the way.)
If you are a budding make-up artist (or existing) you can enquire about getting your own RVB cosmetics into your kit by calling them on 01767 682288.
Or you can win some free stuff on their Facebook page here to get you started! You just need to 'like' and 'share' their page to enter the competition for your free kit.
Rach started out with some pinks and purples and gave Steph a really beautiful, and I think ethereal look.
The colour choice really made Steph's eyes stand out as they're a lovely sort-of amber colour. I already loved this make-up range.
And then Rachel added a bit more contrast and some eyelashes for a bit of fashion...
I then added about half a truckload of mousse in Steph's hair only to find myself happy with it as it was when we started. *sigh*
I love all of these, by the way. I'm going to just throw that out there.

Now do you see!?
This is why, sometimes, it is just worth looking like a complete psycho/nutter/creep/stalker at the train station!
OK, we were ready for Steampunk now.
We got Steph into Lucy's awesome dress and puffed it out with an underskirt, courtesy of Kate's wardrobe. We attached my old telescope and some assorted pouches and we headed out in the car. We pulled up at a lovely little area in Basingstoke that looked quite like countryside and had a suitable dirt road. Steph donned her mono-goggle and Rachel and I set up the 'set'.
Turned out, it was a wee bit COLD!
Steph's eyes were streaming, and I mean streaming with tears and so Rachel was very soon dabbing her tear ducts in between shots:
We got a few shots (about 25-30) and then we had to leave because, despite our efforts, Steph was turning into a human popsicle.
Not to mention, her make-up was running a treat.
We did get the following shot though before leaving..
So we aborted the location plans and had a quick go of this outfit back in the studio, and I have to admit, even though I had to scratch location off the plans to do it, I'm really pleased with the studio shots:
Another reason I'm chuffed with these is the lighting.
I kept the studio light on full power but only used the modelling bulb as my light source rather than triggering the flash. I then set my white balance to cloud compensation, creating a warm orange tint to the photos.
So that was my shoot with Steph.
I feel it was a huge success and personally can not WAIT to work with her again on another project. I definately enjoyed the shoot and am enjoying the results still.
... Now I just have to remember who's stuff is who's and return it all to it's rightful owners...
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