Showing posts with label David. Show all posts
Showing posts with label David. Show all posts

Sunday, 4 March 2012

House Of Hannigan: The Union Jack Dress

On Saturday 3rd March, I set off from Basingstoke early armed only with my camera, Simon's flashgun, a reflector and a TomTom (with car) and headed for Hammersmith...
... I arrived just before 10am at Christopher O'Reilly's house (where he was working from today) and knocked at the door. Finally meeting Christopher face to face was great. He's really very lovely. I stepped in, signed a few conditioning forms and he handed over a very large (but thankfully, wheeled) suitcase. Very exciting. :)


The sun was shining as I drove into Westminster and headed over to Abingdon Street car park (also known as the world's most expensive car park ever... I would imagine) and headed to Parliament Square with the dress in tow.


Where else would you shoot House of Hannigan's Union Jack Dress?


Everyone was due to arrive at 11am so, as it was only about 10:15, I had a little wander around, soaking up the sun, checking out my settings vs the weather and identifying some good spots for location.


First to arrive was my lovely model, Yaasmin. She fluttered up the stairs looking very lovely in her cream coat and then we were joined within minutes by my wonderful assistants! David Burch of Prime Exposures and Gemma Pink of Pure Curvation who had agreed to come along and lug things around (Gemma) and help with lighting (David) ...and then few minutes later, we were joined at last by Rosie Cerosio of Cerosio Makeup. This was our team.




Rosie and Yaasmin skipped off to the toilets so that Yaasmin could wriggle into the corset of the dress and Rosie could apply the majority of the makeup. After what was nearly an hour, they were kicked out by the attendant. Now I don't know about you, but if I had paid 50p to get into the toilets there, I would have wanted my money's worth! ... but I was assured that this was no time to kick up a stink. :D


We had photos to take!

 

Now then, at about 10:15, there was this lovely spot with a good view of about 4 red phoneboxes all in a pretty little row, which, apart from the tourists having their photo taken in them, were fairly un-busy.


At 12pm, this area was swamped. The whole of Parliament Square was swamped actually. Sheesh. Immediately, within seconds of unfolding the beautiful Union Jack Dress, tourists began gathering with their cameras and snapping pictures from every possible angle. But we soldiered on anyway!

Rosie had done a wonderful job of the make-up and Yaasmin was looking ready to be a public display, so for our first image, we went for something a bit like this...



As you can see, it was pretty darn sunny. But not a single tourist... ?

(I've photoshopped about 14 tourists and a big sign out of that photo...  True story.)
Next, we went over to The Supreme Court and used the courtyard area there. Which genuinely wasn't busy.



I love this building with all it's beautiful bordering.




This was my one of my two favourite images from the day. ^


 


Next we tried Westminster Abbey. By this point, there were tourists following Yaasmin with their camera phones and trying to get pictures of themselves in front of it! It was, at best, hectic as hell and if David and Gemma weren't there helping, I think I would have been flustered enough to give that special someone a nice big cup of punch-in-the-face.

But we got one good one there:




There were 23 tourists in the above image and some building work going on.


I ain't gonna lie here. I'm a-braggin'. That's some good editing. Matt Bryant would be so proud.

*toot toot* <- That's me tooting my own horn as usual...


We didn't stay here long before moving along to the centre of the roundabout in Parliament Square to frame up with ol' Big Ben.


Interesting fact: the clock tower we all know and love in London is not actually called 'Big Ben' as most are led to believe. 'Big Ben' is merely the name of the bell within the clock tower. Apparently that's not all that commonly known. Now don't say I never tell you anything.


Unfortunately, you are not allowed to take pictures here (WHAT? I know). So we were moved on by the Roundabout Police. (A childrens' programme? Unfortunately not.)


We headed instead to the centre of Westminster Bridge and got set. Rosie applied a bit more makeup here are there and we waited for the sun to remerge from the clouds. It had been quite hit and miss today.



And then it came out and I got my other favourite image ^ thanks to the expert reflector positioning from one David Burch.




 Well... there are the images.


We were lucky on the day that, although there were way too many tourists in the way, we had some sunshine, some great angles, a fantastic make-up artist, a beautiful subject and had the help of two very keen assistants! Honestly, I couldn't have done that shoot without David and Gemma. They carried stuff, helped out with the lighting and Gemma even offered to rugby tackle some of the London enthusiasts in the background with their cameras.




On the whole, it was a great day and the pictures are up on House of Hannigan's site today. Christopher seems pretty chuffed with them too which helps matters...


Check them out (and the others) here:

Tuesday, 28 February 2012

Matthew Stainer: Behind The Scenes

Last week, on Saturday 25th February, I was working 'behind the scenes' on a photoshoot for Matthew Stainer of Matthew Stainer Photography.

He was shooting the fabulous Ceri Williams in a fantastic abandoned, derelict, run down limeworks (good for Urbex-ers!!!) near Hindhead.

This is Matthew:

He doesn't like having his photo taken but apart from that Nikon stuck to his face, I reckon he's not too hard on the eyes.


I have known Matthew for a very long time, we spoke about shooting when I first ever started modelling at 18 and have kept in touch ever since. Our first shoot was in November 2008 and we went on to shoot a further two times, the latest being incredibly recent (August 2011) as we had meant to do it back in my modelling days but between us had never found the time.


Shoot One (Nov 2008) ^

^ Shoot Two (Nov 2009)
Shoot Three(Aug 2011) ^

Since getting into photography myself in 2009, Matthew has always remained a great contact and friend and we occasionally exchange comments, feedback and emails as we build our portfolio work.

Recently, as our lovely Ceri has been venturing out into the wonderful (deadly) world of modelling, and Rachel Nicholson of course is building her makeup portfolio between her highly-demanding (yet awesome) job, I suggested to the three of them that they might like to work together. Matthew had asked a while back if he arranged a shoot and ever needed an extra hand that perhaps if I was free I could come and assist for the day, to which I confirmed that this of course would be fine if I was free. So, that's how I wormed my way into attending this one, basically. :)

I came along on the day as taxi, wardrobe stylist, behind the scenes photographer and extra pair of hands and the four of us met at the Bluebell pub in Cocking.

*snigger* - Childish, I know.

The car journey there was hysterical. The more that was said, the more we were streaming with tears of laughter. At one point, I thought my stomach was going to just leave me for someone else and my eyes were so full of tears, I couldn't see the road. When we arrived at the pub, our eyes were so red, my makeup was streaming, and I think I saw 'what the hell have I let myself in for' cross Matthew's face. We didn't behave much better from then, I have to say.

We all piled into Matthew's car and headed up the road to the Limeworks. It was AWESOME.

Matthew and I walked around and checked out the location in more detail...


 ...and Rach got started on Ceri's makeup for the 'truck shots'.


After the makeup was finished, I kindly made the observation that Ceri looked freaking awesome... albeit like David Bowie's long lost twin sister... XD
Separated at birth?


You know I'm right.

So we got Ceri into outfit number one:


(I don't know what she's doing with her face here.)

Except for the shoes as, as Rachel put it, watching Ceri walk in these shoes was like watching Bambi learn to walk. (That also set us off again. So many tears).

I started off taking pictures of Matthew at work...




... but then Rach started kindly ruining my shots for me... :



So shortly after, I began helping a little with the lighting:


Whilst Rachel developed a mad obsession with this dark creepy room that she wanted to investigate:


She peeped her head in with my little LED torch but got all freaked out by the strange shadowy shapes in there and dark corners so she ran back and got the little digital camera instead.

She popped her arm in, took a photo and had a look, relieved to see that it was just a room with some old shelves in.

Though in post-production, I took it over to black and white and upped the contrast and I began to notice something over in the right hand corner. I went over it a little with the sharpen tool and... well I don't know about you guys but...


... anyway, Matthew got some really awesome shots of Ceri over by the truck and then we got started on set two.

Rachel started painting up Ceri like a panda to get a Taylor Momsen sort of look going on, but unfortunately, due to the freezing cold weather, Ceri's eyes were streaming constantly...


.. so Rach did something a bit more simple around the eyes, and it looked ace.

(... especially when Ceri did her 'Eye of Shoggoth' impression.)


We headed over to this old office building and got set up:


... where we were lucky enough to discover a poor dead badger who had probably crawled in out of the cold to die. :'(


Despite the deceased company, Ceri cracked on and gave a cracking performance pulling off such stunners as this:

Image by Matthew Stainer

And then we took it back outside for the end of the shoot.


Ceri makes such a hot metaller.

And there're our behind the scenes images (and a couple of Matthew's).


See Matthew's blog here for final images such as these: