Showing posts with label Gemma. Show all posts
Showing posts with label Gemma. Show all posts

Wednesday, 24 April 2013

SCI-FI-LONDON: 48hr Film Challenge

So Ceri 'Creativity Extraordinnaire' Williams (also know as "Diva Williams" and "Ceri Close-Up"), messaged me on the 11th March to ask if I was maybe about for the whole weekend on 6th and 7th April for the SFL 48hr Challenge...

... and I was and I couldn't think of an excuse quickly enough so...
(I'm kidding, of course I was, 'well up for it'!)

Other than some concerns over how well I would be able to operate the camera with only one hand, I was pretty keen and had done some work on Ceri's previous short-film 'Strings' under the direction of a more experienced - and by that, I mean has any experience at all, whatsoever - cameraman, Jon Boylan.
(Blog to come on Strings, another of Ceri's 'Flashcards' projects, as soon as the short-film is finished!)

So on the 5th April, I'm reading through the callsheet to make sure I've got everything, the batteries charging, I've cleared all my memory cards, my bags are all packed and I see on this sheet:


"DOP: Chloe Isherwood"
 (that's 'Director of Photography' for the unfamiliar)


... and, for someone who's a little nervous about ruining ALL Ceri's, and the rest of the team's, hard work... this sent me into some pretty bigtime, pre-shoot jitters...


Back at 'headquarters', props, locations, scripts, recording equipment, times, everything was being organised and planned and the team were buzzing around getting as ready as we could before the brief was released on Saturday morning and here I was about to ruin EVERYTHING because I was RESPONSIBLE for ALL OF THE CAMERAWORK....


So I was basically sat there like this:



O_o;






 ... all night.
And then out of nowhere, it was a lovely, bright, Saturday morning and I had a text from Ceri and she was on her way to pick me up and I was up, washed and dressed and outside the house waiting and I was thinking - "Erhmahgerd. Herlp."

But instead of help came Ceri, in the car, smiley and expectant of competent camera operation.

So I (foolishly) got in...

Sci-fi London 48hr Film Challenge

Ceri and Gemma

Let me start by introducing Ceri's carefully chosen team for this magical project:


Crew
Ceri Williams - Director
Andrew Cunningham - 2nd Unit Director & Music
Alex Twinn - 1st Assistant Director
Fran Green - Production Assistant
Michael Vincent - Art Department/Make Up & Costume
Phil Grigg - Sound

... oh and me - DOP. O_o;

Cast
Gemma Druce - Lead Female
Andrew Cunningham - Politician (voice)
Jon Boylan - News Reporter (voice)
Michael Vincent - News Reporter (voice)
Adam Gould - Interviewer (voice)
Matt Evans - Interviewee (voice)
Michael Vincent - Interviewee (voice)

The team was split into two. One team (1st unit) were off to film the visuals and sound on location with Gemma. The other team (all the 'voices') were off to London to sort out some scripts and get recorded! In fact, by the time we got to Gemma's house for costume, make-up and briefing, some of the 2nd unit had already long been in London getting started with set-up.

We received our brief at about 12pm, I think, which was...
Title: A Special Announcement
Dialogue: "I'm afraid to engage in interactions that I don't know how to control."
Prop: A padded envelope

 So, we (1st unit) got to site at about 1pm and started filming the end of the film first. Naturally.



Ceri on the set for scene 1
(I was in there too but like a ninja in the shadows)
The end of the film, or 'the paperwork scene' as I'm referring to it... I'm not going to tell you about as it will spoil it for when you watch it (if you haven't already seen it), but we filmed it a couple of times from approximately 10 different angles to see what worked best and for the most part, we were off to a pretty awesome start actually.


We then went on from there to film Gemma's ascent up the stairs and her walk along the chimneys...



... and then from up there, we filmed the wide shots of Gemma walking around some other parts of the site.

I filmed the entire short at 25fps and using a custom filter that I have set up on my 7D (that effectively whacks the contrast right down from the point of filming amongst other things). You can create your own custom in-cam filters and settings using the Canon software and it's actually pretty handy for this sort of thing. I obviously want my filmed images to look completely different and so having this set up allows me to do both without too much fiddling.

We filmed, I think, for a total of only about 4-5 hours (with a very small 5 minute break to wolf down some sandwiches that Ceri had lovingly made)...


Alex and Gemma enjoying the sun for a brief moment!

...and all-in-all I had a great time all day filming from various angles on an absolutely wicked site and my only complaint really was the inability to focus effectively with the broken hand!!!

On the other hand however (pun intended) I did manage to climb two difficult obstacles with one hand and with a dodgy hip so I was pretty much a machine that day. XD


I'm not broken, I'm just having
some functionality down-time...

Also, in the final cut, a few of the focussing issues actually worked rather nicely.
Completely intentional... O_o;


Now then, towards the end of the day, Ceri was watching the first take of Gemma climbing up and then back down the metal stairs when it suddenly hit her that Gemma had meant to be holding the little hand-radio pretty much the entire time we had been filming.

When Ceri arrived on site, whilst she was waiting for the second car of people to arrive, she was scuffing up the radio and then put it in Gemma's bag ready for filming... where it sat forgotten and alone for the best part of the day...

So, Phil suggested an additional 'camping' scene to show Gemma tuning into the radio so that it is implied that she has been tuning into all of these broadcasts that you're hearing during the film.

This, if we could get it done, would obviously fix the issue. But just for the sake of covering all eventualities, we popped the radio into as many scenes as we had left and included it in some pickup shots (such as pulling items in and out of the bag) and such.


Anyway, by the end of the day, when it started to get darker, we headed back homeward at this point to find that it was actually too dark to get the camping scene we wanted when we got back. At this point, Ceri, Gemma, Phil and I decided to do this final scene and any last-minute pickups the following afternoon.

22ish hours later...

On the Sunday, after a gruelling night for Ceri, Andrew and Phil who had already been putting the footage together, we headed out to another derelict location at about 5pm for the 'camping scene' where we had Gemma tuning into the radio.



We had Gemma tuning into the radio, studying her map, making plans, tuning into her radio again, getting stuff out of her bag, putting it back, etc for about an hour (sorry, Gemma) and filmed it from all different angles...


I really enjoyed filming although, admittedly, I was still a bit worried about the outcome having no real cinematography experience but there were a few bits and bobs in there that, looking back at it now, I am mental proud of. :)

So, here's a link to the film:


By 'Project Flashcards'


 Please enjoy it!
Interesting facts:
The dropping of the radio scene: The radio was dropped in the first location (4:43) and smashed open in the second location (4:45). The two locations being 15 miles apart!

The map: The map was just a massive map of the Brecon Beacons in Wales!

Corridor scene: In the scene where Gemma is walking down the little corridor 'following' the camera (2:09), Ceri had to pull me backwards along that route while I filmed it so I wouldn't accidentally suffer a crippling 10ft drop!

Metal stairs scene: When first filming this scene, Gemma didn't realise the second half of the railing was not attached to the stairs and had a bit of a near-death experience when she tried to lean on it!

Mood contrast: Despite the mood of the scene being angry, Gemma and (embarrassingly) myself, spent an unhealthy amount of the old electronics smashing scene with 'Pocket Full Of Sunshine' in our heads. It;s a dreadful song. Don't search for it. It's not worth the hassle.

Song: The song heard at 1:54 seconds and again at 2:24 was composed and recorded in just 24 minutes!

A boo boo: At 2:56, my shadow actually makes a guest appearance... (Can't help myself. Just wanted to be in it.)

Paperwork: At 3:40, the paperwork scene, all of this paperwork, other than the headers and footers where all default 'Lorem ipsum...' script which is actually why this shot is taken as if 'browsing' with Gemma...

Camping scene: Even though the camping scene was not used in the final cut, when Gemma was tuning in during filming, she found an actual radio station playing Taylor Swift... she was very happy about it and it was an excruciating couple of minutes.

Exit scene: The final scene (4:55) is from the second 'Sunday' location again and Phil was VERY particular about where all the rusty metal objects were placed so I'm very pleased 'his shot' got used. XD

Product placements: Tesco, Sharpie, Jiffy... see if you can spot them. We're expecting money and/or free stuff from each of them soon. :)



... and here are most of the team enjoying a meal on the Saturday evening after the first hard day's work...


L-R: Fran, Adam, Phil, Mike, Matt, myself, Andrew, Ceri
(Missed: Alex, Gemma and Jon)
That's a wrap!



Sunday, 4 March 2012

House Of Hannigan: The Union Jack Dress

On Saturday 3rd March, I set off from Basingstoke early armed only with my camera, Simon's flashgun, a reflector and a TomTom (with car) and headed for Hammersmith...
... I arrived just before 10am at Christopher O'Reilly's house (where he was working from today) and knocked at the door. Finally meeting Christopher face to face was great. He's really very lovely. I stepped in, signed a few conditioning forms and he handed over a very large (but thankfully, wheeled) suitcase. Very exciting. :)


The sun was shining as I drove into Westminster and headed over to Abingdon Street car park (also known as the world's most expensive car park ever... I would imagine) and headed to Parliament Square with the dress in tow.


Where else would you shoot House of Hannigan's Union Jack Dress?


Everyone was due to arrive at 11am so, as it was only about 10:15, I had a little wander around, soaking up the sun, checking out my settings vs the weather and identifying some good spots for location.


First to arrive was my lovely model, Yaasmin. She fluttered up the stairs looking very lovely in her cream coat and then we were joined within minutes by my wonderful assistants! David Burch of Prime Exposures and Gemma Pink of Pure Curvation who had agreed to come along and lug things around (Gemma) and help with lighting (David) ...and then few minutes later, we were joined at last by Rosie Cerosio of Cerosio Makeup. This was our team.




Rosie and Yaasmin skipped off to the toilets so that Yaasmin could wriggle into the corset of the dress and Rosie could apply the majority of the makeup. After what was nearly an hour, they were kicked out by the attendant. Now I don't know about you, but if I had paid 50p to get into the toilets there, I would have wanted my money's worth! ... but I was assured that this was no time to kick up a stink. :D


We had photos to take!

 

Now then, at about 10:15, there was this lovely spot with a good view of about 4 red phoneboxes all in a pretty little row, which, apart from the tourists having their photo taken in them, were fairly un-busy.


At 12pm, this area was swamped. The whole of Parliament Square was swamped actually. Sheesh. Immediately, within seconds of unfolding the beautiful Union Jack Dress, tourists began gathering with their cameras and snapping pictures from every possible angle. But we soldiered on anyway!

Rosie had done a wonderful job of the make-up and Yaasmin was looking ready to be a public display, so for our first image, we went for something a bit like this...



As you can see, it was pretty darn sunny. But not a single tourist... ?

(I've photoshopped about 14 tourists and a big sign out of that photo...  True story.)
Next, we went over to The Supreme Court and used the courtyard area there. Which genuinely wasn't busy.



I love this building with all it's beautiful bordering.




This was my one of my two favourite images from the day. ^


 


Next we tried Westminster Abbey. By this point, there were tourists following Yaasmin with their camera phones and trying to get pictures of themselves in front of it! It was, at best, hectic as hell and if David and Gemma weren't there helping, I think I would have been flustered enough to give that special someone a nice big cup of punch-in-the-face.

But we got one good one there:




There were 23 tourists in the above image and some building work going on.


I ain't gonna lie here. I'm a-braggin'. That's some good editing. Matt Bryant would be so proud.

*toot toot* <- That's me tooting my own horn as usual...


We didn't stay here long before moving along to the centre of the roundabout in Parliament Square to frame up with ol' Big Ben.


Interesting fact: the clock tower we all know and love in London is not actually called 'Big Ben' as most are led to believe. 'Big Ben' is merely the name of the bell within the clock tower. Apparently that's not all that commonly known. Now don't say I never tell you anything.


Unfortunately, you are not allowed to take pictures here (WHAT? I know). So we were moved on by the Roundabout Police. (A childrens' programme? Unfortunately not.)


We headed instead to the centre of Westminster Bridge and got set. Rosie applied a bit more makeup here are there and we waited for the sun to remerge from the clouds. It had been quite hit and miss today.



And then it came out and I got my other favourite image ^ thanks to the expert reflector positioning from one David Burch.




 Well... there are the images.


We were lucky on the day that, although there were way too many tourists in the way, we had some sunshine, some great angles, a fantastic make-up artist, a beautiful subject and had the help of two very keen assistants! Honestly, I couldn't have done that shoot without David and Gemma. They carried stuff, helped out with the lighting and Gemma even offered to rugby tackle some of the London enthusiasts in the background with their cameras.




On the whole, it was a great day and the pictures are up on House of Hannigan's site today. Christopher seems pretty chuffed with them too which helps matters...


Check them out (and the others) here: